Hard Work at the Hudson Children's Book Festival

Once again, some amazing authors and illustrators showed up in tiny Hudson, NY for the Hudson Children's Book Festvial. Just south of Albany, the event draws plenty of talented authors from upstate, downstate, and across the state, but also  from across the country. Among the bestselling children's authors in attendance were Nick Bruel (Bad Kitty), Da Chen (Colors of the Mountain), Caldecott winner Emily Arnold McCully, Fran Manushkin (Katie Woo, and The Tushy Book), Lee Harper (Woolbur), and Susanna Leonard Hill (Punxsutawney Phyllis).

Capital District SCBWI was also well represented, with kidlit writers Nancy Castaldo, Kyra Teis, Kathy Ceceri, Eric Luper (the inspiration behind the festival), Rose Kent, Liza Frenette and Erica Villnave all setting up shop, conducting workshops and more.

Which is where the hard work comes in. Not just from the official workshops, but from working the room as an aspiring author. I had a chance to connect with children's writers who've given me great adivice in the past and those who gladly gave me some this year. It’s too long a list to name every author, but I will name those who were very helpful (and give you a little of what they said).

Advice From Award-Winning Children’s Authors

Bad Kitty Meets the Baby
available June 7, 2011



1.   Nick Bruel. The Bad Kitty author was good to me last and even better this year. I'm glad my son counts him among his favorite middle grade writers. Last year, Nick suggested I get an agent for a book idea, and that led me to approach agent extraordinairre Marcia Wernick. This year, Nick gave me advice on signing contracts, what to look for when it comes to advances, mutlibook deals, serials, etc. In short, don't let publishers link the advance for one book to another book. Make sure each contract is separate.

I also attended Nick's workshop on creating picture books. Great to watch him work a room full of fans. Real control over the room. The presentation was interactive and funny. His style is slower-paced than mine, so to watch him was educational, to say the least.

I was also with Nick for a unique moment: when he first laid eyes on the Bad Kitty mascot. The costumed character wasn't supposed to be ready until Book Espo America in a few weeks, but it was ready early. His first words? “They did a great job with the tail.” And they did. Funny what you notice first.

2.   Eric Luper. At the Empire State Book Festival Eric (Jeremy Bender and the Cupcake Cadets) answered questions on my agent situation; this time we talked about his publisher, Balzer + Bray. His suggestion? Whatever middle grade manuscript I eventually send B+B should grab them, the sort of thing they can't live without. He says the feedback I'm getting from them now is great and encouraging, but the next project will have to be big. He's right, of course, which may lead me to scrap one of the two middle grade projects I'm working on. Oh, well, se la vie. Onward and upward.

3.   Fran Manushkin, whose mg Katie Woo is a long and well-received series (24 books in 3 years!) gave me similar advice. Sitting next to Eric (authors were arranged alphabetically. Fitting, I guess), she said she was once told by an editor, after a rejection, that her next book had to be “perfect.” Perfect! Now that's pressure. I guess it was, because Fran was signed. That said, she also gave me advice on being a bit more aggressive with a particular editor. Not impolite, of course, just more aggressive. Get a response from her as soon as I can. Publishing may have its own schedule (about as slow as Amtrak being pulled by a mule), but she's probably right here. The editor is question has worked with Fran a great deal over the years.

4.  Rose Kent. The author of Kimchi & Calamari and

Rocky Road 

told me to shoot for the Rutgers One on One this year. Eric told me the same thing a few weeks ago, but Rose gave me advice on writing the cover letter: let them know why you're the right candidate for mentoring. How serious you are, how much this can help. Rutgers is a big event, an important event, and Rose is right – I believe it can help me, but they need to know it, too. As Rose said, “Make your letter as good as your work.” One more thing that has to be perfect!

I can't wait for next year's impressive array of authors and illustrators. And while next year is likely too soon to have a book on the table, I hope Nick Bruel is right (once again). Briggs is close to Bruel. Perhaps at a future event we will have adjoining tables. If someone doesn't buy my book, I'll gladly send her to Nick's table. He's influenced my writing and career choices, and given more of his time than he needs to. Thanks, Nick!

(And thanks to everyone who gave of their valuable time!)

Balzer and Bray on the Brain

In Honor of New Releases From Balzer + Bray

I’ve been thinking a lot about Balzer & Bray lately. I like the work they do, at least the picture books and middle grade I know. They have two of my favorite authors in Mo Willems and Bob Shea, and two editors who’ve been nothing but nice to me in Ruta Rimas and Alessandra Balzer (yep, one half of B+B).

So I’m kind of excited about this post. No analysis, no breakdowns, just books I love.

The first up is Bob Shea’s I’m a Shark. Shea is the master of the braggadocios four-year old with a whimsical touch of vulnerability. I’m a Shark is every bit as good as Dinosaur vs. Bedtime. Clipped phrases, a boastful main character, with lots of dialogue. An easy read aloud or an easy reader, whichever works best for your little dinosaur (or shark).

The plot: Shark isn’t afraid of anything. Well, there is that one thing, but… I can’t give away the punchline. Let’s just say adults will find Shea’s ending accurate and comical, and children will see more than a little bit of Shark in themselves.

I saw Alessandra discuss (OK, dissect) this book at the SCBWI Winter Conference in New York. Knew from that moment I was going to have to study it. More on the dilemma this presents in my next post).

Mo Willems has a habit of creating characters that can anchor an entire series: Pigeon, Elephant and Piggie, Cat the Cat, and so on. This times he takes a shortcut and puts his series in just one book: a collection of short stories featuring Amanda and her Alligator. Hooray for Amanda & Her Alligator! centers on an imaginative, impulsive child whose best friend is a stuffed alligator. I think I also encountered this book in NYC and found it adorable. (Yes, grown men can use that word when discussing children’s books.)

Amanda has a wild side in her, reminiscent of Pigeon, but there’s a soft side, too, like Piggie. Hard to put all that in a picture book, but Mo does it again.

Both I’m a Shark and Hooray for Amanda & her Alligator! were released today. The third book I’d like to discuss isn’t available until May 3rd: Eric Luper’s Jeremy Bender and the Cupcake Cadets.

Eric’s second book with Balzer + Bray is also his first middle grade. I’ve taken an interest in middle grade lately since Ruta suggested I give it a shot. So will do. I’ll be picking up Eric’s book at Hudson Children’s Book Festival on May 7th. Can’t wait to see him again (and read about Jeremy Bender!).

In the meantime, here’s the book trailer. Enjoy Eric, times two.

After a Week Back from Pocono SCBWI

I’ve been back from Pocono SCBWI for a week, with little time to blog. More on why in a moment.

The weather in the Poconos was fit for football, even if we were talking baseball. And writing. Lots and lots of writing. Which is good. Pocono is a well-run and impressive workshop for children’s book writers. Located a little less than an hour from where I grew up, ten minutes from a place where I’ve performed, and 20 minutes from where my parents took their honeymoon, Shawnee on Delaware, PA, feels like home to me. That helps. Always good to feel at home.

The 2011 faculty was impressive, with two of my favorite editors in attendance: Dianne Hess (Scholastic) and Ruta Rimas (Balzer + Bray). Agents Jennifer Rofé (Andrea Brown) and John Rudolph (Dystel), plus editors Robert Agis (Sterling ) and Liesa Abrams (Aladdin), joined them. In between speeches and presentations, I had a lengthy conversation with Eastern PA Resident Adviser Francesca Amedolia on writing, conferences, and her writing theories (which are both entertaining and accurate!). I also had a great time talking with writers like Laura Weller, Kevin Sheridan and Wendy Latty, all of whom impressed me with a wide variety of talent (YA, non-fiction, and art). I also ran into fellow Eastern NY SCBWI members Karen Orloff and Ruth Roberts (we get everywhere!).

Pocono also does a great job at diversion, with repeated parties, auctions, and other events to network. More importantly, this year's auction proceeds were split with the Japanese chapter of SCBWI to help with earthquake and tsunami relief efforts.

Pocono SCBWI Highlights (for me):

1. I attended Dianne Hess' presentation on what she's looking for at Scholastic. OK, so she didn't specifically say my book, but that's what I heard. Actually, Dianne did say she'd get to Spaghettisburg and The Bossy Witch (both of which she requested earlier this year) soon. I also found out Dianne's a vegetarian. I share this nonwriting tidbit because I always like meeting fellow vegetarians and promoting the cause.
2. I attended two sessions with Jennifer Rofé, back to back. The one on book marketing was the most helpful for me (I will write up some of what I learned in a future post. No, really. I promise). The presentations had an informal feel to them, and she has great energy. Really dynamic, that way. Her 5 years as a school teacher showed. Her session on Editing With an Agent was a bit less helpful to me, but only because I'm in the middle of doing that now. That said, it was great to get another perspective on it.
3. Sid Fleischman Humor Award Winner Donna Gephart (How to Survive Middle School) gave an interactive workshop on writing quirky and humorous characters. Largely aimed at YA and middle-grade authors, I thought it wouldn't help me much. I mean, I did stand-up for 20 years and can write a joke, and I don't write YA or MG. Yeah, I thought that right up until...
4. I met with Ruta Rimas Saturday night. She paid my writing a great many compliments, but for the moment is passing on Leaping Lemmings (at least until I can get an agent to submit it for me). I won't go into great detail, but at least the story is still on the table (thankfully!). Ruta then wondered if I ever considered middle grade. No, no I haven't Well, not until the drive home. Four hours is a long time to kill in a car, so I began crafting a middle grade story. Title, main character, beginning and ending. Working on the rest now. And one of the big reasons I haven't blogged. Only so much time, and stories take precedence. Particularly if there's an opening for it.

What I like most about Pocono is that it is workshop heavy; a chance for writers to learn, or at least sharpen, their craft. I may go back next year. We'll see. In the meantime, I'm considering their November event in Gettysburg (a town I love, by the way. Hey, I have Spaghettisburg ready to go!).

And I'm ready to go, too. I'll leave you with these positive words from Ruta.

Ruta: “Children's publishing is a small community.”

Me: “I know. And I want to get in.”

Ruta. “You will. You definitely will.”

I hope she's right, whether that be with my first love – picture books – or perhaps a new love, middle grade. There's no timeline, I guess, just a goal line. I'm still inside the one, inching ever closer. I just don't want to fumble...

Writers Conference Review

It's been a week since I returned from the SCBWI Winter Conference in New York, but I've had little time to post, although some time to reflect. Plenty of the professional writers who spoke (among them R.L. Stine, Jules Feiffer, and Jane Yolen) mentioned the opportunity this writers conference offers to network, to meet editors and find closed houses open to you -- if only for a submission or two.

They're right, of course. SCBWI opens up opportunities to meet editors who are all but unreachable otherwise. The majority of your networking, however, will be with other writers and illustrators. Not bad, mind you. They can make you better at your craft, send tips your way (and rumors!), and open even more doors. Conferences, recommendations and writers groups are wonderful things.

Of the three workshops I attended, I found Alessandra Balzer's of B+B (hey, that first B is for Balzer!) the most helpful. It was on book marketing. Most of what she relayed I already know or am doing, but there was one gem that got my wheels spinning. Not so much the advice -- "find something the market doesn't have, something it needs but doesn't know it needs" -- but how to pitch something that falls in that vein suddenly formed in my head. Something that the kidlit market has little of, but maybe, just maybe, I can fill. Will have to talk with Scholastic Press more on this one. Later in the day, I threw Alessandra a one-line pitch, based on her suggestions of the typical Hollywood this meets that pitch: Leaping Lemmings as Naked Mole Rat meets Humpty Dumpty. She said she loved Naked Mole Rat and couldn't wait to see my manuscript. B+B already has it, but it seemed like the right pitch anyway.

I was also impressed that Ms. Balzer remembered me from the night before -- at the SCBWI VIP party. She was making the rounds with Mo Willems. Yeah, that Mo Willems. Mo and I talked about stand-up comedy for maybe ten minutes. When Alessandra and Mo approached, I was talking with Mo's agent, Marcia Wernick, who just that week started her own agency. OK, yes, I freely admit it. The best part of  SCBWI NY was the VIP party. It's where the real networking gets done. I ran into Dianne Hess from Scholastic Press again, and Nancy Castaldo and I attempted to recruit her for the Capital District SCBWI Conference Falling Leaves this November. I talked Type I diabetes with Arthur Levine, also from Scholastic. I ran into Ruta Rimas, from B+B, who has Lemmings, and I spoke briefly with Rotem Moscovich. Well, I had to. Not only did she provide a great critique of The Bossy Witch some time ago, but I received a rejection letter from Cartwheel telling me she was no longer there. Turns out she jumped to Disney/Hyperion. Good to know. I also talked at great length to the very talented Katia Wish, the winner of the Tomie de Paolo art award. Great party (um, yeah, open bar... why do you ask?), good conversation, and I am thrilled -- absolutely thrilled -- to have attended.

Now about next year...